Replica Arne Jacobsen Egg Chair Leather

Item No.: C008-2
PORT: Guangzhou/ Shenzhen
Description The Details Designer
.Reinforced fiberglass inner shell
.upholstered leather or PU
.The entire chair and ottoman is Hand Sewn/Stitched
.High quality aluminum base in chip and flake resistant Satin Finish
.Chair features both Tension tilt and 360 degree swivel function
.Constructed around a synthetic “dimension true” curvature shell.
.Ottoman features an aluminum chip and flake resistant satin finish
.Smooth Contour cold pressed foam body wrap provides meticulous contour for this design.

reproduction and the matching ottoman are a sculptural masterpiece. The original design was created by Arne Jacobsen in 1958 for the Royal Hotel in Copenhagen. Truly iconic piece with its minimal, simple and distinctly “Danish" design. Its creation is taken from respect of the dimensions, the angles, the pitch and curve wrap of the original design.

cowhide egg chair

cowhide egg chair

egg chair

egg chair

.Width: 88 cm
.Depth: 83 cm
.Height: 110 cm
.Seat height: 36 cm

.Packing Dimensions: 88*103*64 cm
.Volume m3: 0.58
.N.W: 26 kg
.G.W: 33 kg

.Frame: Fiberglass
.Fabric: leather or PU or wool fabric
.Leg: Aluminium base

Arne Jacobsen bought a plywood chair designed by Charles Eames and installed it in his own studio, where it inspired one of the most commercially successful chair models in design history. The three-legged Ant Chair (1951) sold in the millions and is considered a classic today. It consists of two simple elemen: tubular steel legs and a springy seat and back formed out of a continuous piece of plywood in a range of vivid colors.

Jacobsen began training as a mason before studying at the Royal Danish Academy of Fine Arts in Copenhagen, where he won a silver medal for a chair that was then exhibited at the 1925 Exposition Internationale des Arts Decoratifs in Paris. Influenced by Le Corbusier, Gunnar Asplund and Ludwig Mies van der Rohe, Jacobsen embraced a functionalist approach from the outset. He was among the first to introduce modernist ideas to Denmark and create industrial furniture that built on the country’s craft-based design heritage.

First among Jacobsen’s important architectural commissions was the Bellavista housing project in Copenhagen (1930-1934). His best-known and most fully integrated works are the SAS Air Terminal and the Royal Hotel Copenhagen, for which Jacobsen designed every detail, from sculptural furnishings such as his elegant Swan and Egg Chairs (1957-1958) to textiles, lighting, ashtrays and cutlery.

During the 1960s, Jacobsen’s most important work was a unified architectural and interior design scheme for St. Catherine’s College, Oxford, which, like his earlier work for the Royal Hotel, involved the design of site-specific furniture. Jacobsen’s work remains appealing and fresh today, combining free-form sculptural shapes with the traditional attributes of Scandinavian design, material and structural integrity.


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